SEVERAL MULES

Is Anyone Out There

2010-10-12T23:46:00.000-07:00

It's been a long time since I've updated. Some big changes going down but this has never really been the venue for me to get into that. So of course I'm updating to post another mix (and it's an old one). I made this Halloween mix (aka an everyday mix) about 4 years ago and lost it for a long while as a result of a hard drive crash. I'm pretty stoked as I just got a copy of it again from a friend who still had it (thanks Kristen!). It's my only attempt at mixing multiple mp3s down into a single track and both parts are both are under 80 minutes so you can burn them to two cds. I think it worked out pretty well. Anyway, 'tis the season so enjoy (track list after the jump)!

Married To The Macabre: Download Here

Track List:

Part 01 (76:29)  

01. intro (00.00)
 02. libitina - gothic people (00.22)
 03. naked and the dead - taboo (04.22) 
04. bone orchard - princess epilepsy (07:11)
 05. incubus succubus - blut ist liebe (blood is love) (11:20)
 06. neva - psykodrame (14:16)
 07. philip boa - only on sunday (18:54)
 08. dream syndicate - my old haunts (22:55)
 09. turn pale - slow to drown (26:00)
 10. 45 grave - evil (28:55) 
11. virgin prunes - baby turns blue (31:42)
 12. anorexic dread - tracey's burning (25:20)
 13. clockDVA - black angels death song (39:32) 
14. the fall - city hobgoblins (42:43) 
15. daniel johnston - i killed the monster (44:52) 
16. roky erickson - dont shake me lucifer (48:42) 
17. destroy all monsters - meet the creeper (51:27) 
18. the birthday party - say a spell (56:11) 
19. crispy ambulance - october 31st (59:45) 
20. siouxsie and the banshees - halloween (63:14)
 21. click click - reanimation (66:30) 
22. bauhaus - st. vitus dance (68:43)
 23. boys next door - shivers (72:11)

Part 02 (77:04)

01. daniel johnston - devil town (00.00)
02. joy division - incubation (01:04)
03. crime and the city solution - hey sinkiller (03:51)
04. die bunker - the children die (07:58)
05. circus mort - swallow you (11:40)
06. southern death cult - the crypt (14:46)
07. altered states - is anyone out there (17:41)
08. no more - i still bear the scars (21:04)
09. parade ground (featuring wire) - moans (25:09)
10. severed heads - goodbye tonsils (29:01)
11. mona mur - bastard (33:02)
12. christian death - ressurection - sixth communion (37:09)
13. 13th chime - cursed (40:49)
14. kommunity fk - debauchery (44:51)
15. die haut and nick cave - pleasure is the boss (48:19)
16. glass candy - hurt (52:09)
17. the panoply academy - nocturnally yours (56:10)
18. no more - danse macabre (60:19)
19. the danse society - treat me right (63:46)
20. the mekons - only darkness has the power (67:35)
21. joy division - the eternal (70:55)
22. outro (76:54)

I Keep Her Photograph Against My Heart.

2010-07-11T22:18:00.000-07:00

I finally got around to scanning a bunch of Polaroids I've been taking over the past year. I still have a few more stacks to scan, so this is only the first batch. You can see the ones that I've gotten up thus far on my Flickr account under the set: FUJ-POLA. In order to refrain from soley making a self-promoting post I'll spend the rest of this going over how I got into using my Land Camera 250 and the resources I used to get it up and working since I occasionally get questions from friends & strangers alike. For that overview & links to resources, follow the jump below.

Patti Smith's Land Camera 250
(same make & model as mine)

INTRO:

While I was back home on the East Coast last year I came across two Polaroid Land Cameras (104 & 250) in my Parent's basement. After doing some research online I proceeded to stumble my way into getting them both into working condition and accidentally became a Land Camera enthusiast. While both cameras work, I pretty much only shoot with the 250 model. The main reason for this (outside of it looking far more spiffy) is that it has a Zeiss viewfinder.

VIEW FINDERS:

While neither camera has a Zeiss lens, the Zeiss viewfinder on the 250 allows for better focusing than the non-Zeiss 104. The difference being that the non-Zeiss viewfinder focuses based on distance alone leaving you to estimate how far you are from the object you're shooting. The Zeiss viewfinder shows two images that overlap as you focus & becomes flush when it's fully in focus. It's much easier to use & allows for a more guaranteed image as a result. So if you come across a Land Camera or actively seek one out, I'd suggest getting one with the Zeiss viewfinder. Specifications per model can be found on the Land-List.

UPDATE (08.24.10): I was unaware that there are Land Cameras without Zeiss viewfinders that allow for a similar focus. While the Zeiss viewfinders are still preferable and easier to use, if the Land Camera has 2 eye pieces on the back of the viewfinder it should allow for the better focus. One view is for framing & the other is for focus (the Zeiss combines both within one eye piece). Anyway, if you fiddle with the viewfinder you should be able to figure out whether it's a distance focus or a visual focus... the point being that the visual focus can be found on Land Cameras that do not have the Zeiss viewfinder (to correct my earlier statement).

MAINTENANCE & BATTERY HOUSING:

After opening up the battery compartments for both cameras, I noticed that the housing was corroded and that I'd have to special order a specific battery even if I could clean it up. Thankfully after doing some research on the internet I came across Instant Options. It proved to be much easier and cost efficient to remove the original battery housing and replace it with the appropriate AAA housing purchased from Radioshack. Not only did I not have to attempt to clean the brutally corroded battery housing, but AAA batteries are a much cheaper option than sticking with & special ordering the original battery type. If you do need to clean out the compartment from any existing corrosion, I recommend using Q-Tips soaked in vinegar. Instant Options will give you a bit of a work out but it's not all that difficult to do the modification if you're patient. Just choose the appropriate voltage for the particular camera you may have and a compatible tutorial will walk you through the steps. If you don't have a soldering iron, you should be fine just stripping the housing wires, making the connection and reinforcing it with electrical tape. The tutorials will also walk you through how to clean out all areas of the camera which, if it's been poorly stored, is preferable before you run around taking snaps. So, after getting both cameras cleaned out and modified with the appropriate AAA battery housing the only issue was... Polaroid stopped production of all Polaroid film.

FILM:

While Polaroid cut out their film division & stopped production of all Polaroid film, Fujifilm still makes instant film that is compatible with most Land Cameras. The chart & film graphic on Instant Options will give you a good idea of what's compatible with Land Camera models. It shows the 3 Fujifilm pack loading instant film types that are available. These are FP-100b (100 speed black & white), FP-100c (100 speed color), FP-3000 (3000 speed black & white). I easily found a place in my city that stocks all three and while it may seem slightly pricey, I don't find it to be all that outrageous of a cost. Polaroid stock is preferred though unfortunately at this point it's all dead stock & set to expire. Prices are high & the film that is expired isn't guaranteed even if it was originally a better product than the available Fuji film. With that caveat being made, expired film can always lead to interesting shots & is fun for experimentation if you're comfortable with the gamble considering the cost.

After picking up the Fujifilm, I found out the hard way that Fuji's product is slightly different than Polaroid's and fits just a bit TOO SNUGLY into the Land Camera. This is a well known issue but is easily remedied. Unfortunately I found out by wasting a number of shots as the Fuji pack was compressed too tightly in the camera causing me to pull out multiple unexposed sheets of film when trying remove my first shots. I found an incredibly helpful image on FLICKR that showed me how to hold down the springs inside the camera with bobby pins to allow for a comfortable fit of the Fujifilm pack & relieve the tension that was causing me to pull out multiple sheets. Since I bobby pinned the springs down I have had no trouble outside of human error with removing my pictures (one tends to live and learn not to tear paper tabs accidentally).

A few quick tips/notes on the Fujifilm speeds. Depending on the type of Land Camera, there are different film speed settings. If the camera shows only B&W and Color settings, B&W is 3000 speed and Color is 75. If you have a Land Camera with multiple speeds shown, you're good either way. Since Fujifilm is either 100 or 3000 you'll have to choose either 75 or 150 when using 100 speed and play with the 'lighten/darken' setting to compensate if need be. The Fuji 3000 speed black & white won't offer you any issues as all Land Cameras have that setting.

FLASH:

I won't even get into the issue of flash since that's something I haven't even approached as of yet. I haven't undertaken how to mount an electronic flash & flash bulbs for the flash I have are out of production. I will however mention that despite not having a flash & the cameras being automatic, they can take quality images in low light (especially with 3000 speed film). If you're shooting in low light, try and keep the camera as steady as possible (on a tripod or stable surface) and hold down the shutter release for as long as you can until you hear a click. The shutter will stay open when shooting in low light for an extremely long time and provided the camera is stable, you can get some good shots regardless. This is best attempted with stationary subjects since the shutter is open so long but not the rule of thumb. As an example, here's a shot of Daniel Higgs I took recently:

OUTRO:

And that's pretty much it for now, though perhaps I'll add more later. If you go through all that hassle, you'll have a working Land Camera. I could probably elaborate a little more on other minor points I've picked up but the provided links cover a large portion of what you need to know and learning through experimentation will cover everything else. I'm really happy that I took the time and effort to go through the whole process since it has awoken a dormant love of photography and reinvigorated me to pursue a hobby I had long let slide. At this point I'm hoping to find a manual Land Camera (they did make them as seen on the Land List) as well as begin a foray into medium format when I eventually pick up a Kiev88. But now I'm just rambling. Fun times indeed.

COMPILED LINKS:

My Polaroids On Flickr: FUJ-POLA

Land Camera Specs: The Land List
Maintenance & Batter Modification: Instant Options
Compatible Film Types: Instant Options
Bobby Pin/Spring Fix Tutorial: FLICKR

Colorful Are All The Lambs.

2010-07-08T23:57:00.000-07:00

The Balkan Situations - Valle E Gajdes

I’ve always had an affinity for whatever glimpses I’ve gotten into Balkan culture/music but it always happened to peripherally come my way and it took a while for me to really explore it on my own. However, I do have to credit The Balkan Situations, who were a nine piece band based in Middletown CT, for causing me to actively pursue an interest in learning what little I have thus far about the region. I caught them a number of years back in a warehouse in Rhode Island, playing a noise show with Lightening Bolt. They’re pretty much all I remember of that night (though in the interest of full disclosure I did kill a bottle of wine [at the very least] during their set alone and came close to shattering it on the concrete floor as I tapped along). Leave it to a group of students to maddeningly play traditional folk music in the middle of no where and show up a roster of noise bands with their ferocity and leave me totally enraptured. I managed to only catch them one other time in New Britain CT with very much the same result. Thankfully, I got a couple cdrs from them before I moved out west & they split up not too long after that. I still listen to those cdrs and something about seeing that music live for the first time really stuck with me. It was certainly the kick in the ass I needed to instill a desire to learn what I can about the Balkans and a longing to make it there in person. Anyway. They’re the main reason I wind up in Croatian-American halls for Croat Bagpipe Jams, buy whatever books I see on the region, download Balkan folk music and obsessively look at related photography on Flickr.

Listen to more: HERE

Watch them play: HERE

It Really Gets You To Your Soul.

2010-06-25T05:18:00.000-07:00

Annnnnnd yet another mix. Not too many updates on here as of late but this blog isn't completely forsaken. Yet. This mix is mostly tracks that I've been digging lately that I grabbed from other blogs (mostly what you see on the right column) as well as old favorites and some solid standby's. It's called '+/-' and it's aight.

Various - +/-

01 - Hole Of A Heart - Epic Soundtracks
02 - Dying Day - Incubated Sounds
03 - Next In Line - Das Kabinette
04 - So Low - Carol & Snowy Red
05 - Lies On The Line - Dominion
06 - Lonely Day - Entre Deux Guerres
07 - Never Enough! - Aiboforcen
08 - Let Them Perish Like Flies - Incubated Sounds
09 - Suffering - Morgue
10 - XII - Der Blutharsch
11 - Ich Sehe Die Alle In Einer Reihe - Swans
12 - I'm A Believer - Anita Lane
13 - Afraid - Crisis
14 - Sweet Nocturne - Love Life
15 - Yagga Blues [Instrumental] - Nurse With Wound
16 - Sev Acher - Sun City Girls
17 - Untitled (02) - Ulaan Khol
18 - The Shadow Of No Man - Crime & The City Solution
19 - ...Then Poland - Swell Maps

Download: HERE

And Creation And Time Are Made From Destruction.

2010-06-03T18:16:00.000-07:00

Swans - Die Tür Ist Zu

Preview - Ich Sehe Die Alle In Einer Reihe

Despite the lack of new material, 'Die Tür Ist Zu' (The Door Is Closed) is one of my favorite Swans releases. While at first glance it seems to be slapped together or more of an odds & ends release than an album (which ultimately is the case), that shouldn't take away from the fact that it is extremely well compiled from start to finish and a unique testament unto itself. Clocking in at 55 minutes, it's a full figured beast that has an ebb & flow which gives it a stand alone experience despite the compiled nature and availability of tracks elsewhere (whether previously released or released in different forms). While Swans has always managed to get under my skin in a disturbing & sinister way (that I do enjoy, mind you)... there's something about this release that does it so effectively I keep coming back to it (though it may very well be Gira in German which has me hook, line and sinker).

A download link can be found: HERE.

Track History After The Break.

Via Wikipedia:

Die Tür Ist Zu is an album by Swans, released in 1996 only in Germany. It contains early, German-language versions of two songs on the then unreleased Soundtracks for the Blind album, two studio outtakes ("Surrogate Drones" which will also appear later on Soundtracks for the Blind and "You Know Everything (reprise 1991)" recorded for White Light From The Mouth Of Infinity and already released on the "Celebrity Lifestyle" CD single), a radio performance excerpt from the VPRO session on December 14, 1994, and two live songs from the Astoria, London, 1995. The album's German title translates to "the door is closed".

1. "Ligeti's Breath/Hilflos Kind" - 21:35
2. "Ich Sehe Die Alle In Einer Reihe" - 4:40
3. "Surrogate Drones" - 2:57
4. "YRP (Live in London)"- 8:39
5. "You Know Everything (reprise 1991)" - 4:17
6. "M/F (acoustic live at VPRO, December 14, 1994)" - 3:45
7. "Soundsection (Live in London)" - 8:00

DOWNLOAD.

And Their Souls Wander With The City Crows.

2010-05-28T07:56:00.000-07:00

Sarajevo Blues by Semezdin Mehmedinović

Finished reading 'Sarajevo Blues' by Semezdin Mehmedinović a couple weeks back. I rather enjoyed it and I get the impression that I'll be giving it a few more reads over the years. I'm not exactly sure when I became fascinated with the Balkans, though I've been taken by folk music from the region for a number of years now. Recently, I'd been trying to learn more about the history of the Balkans and while I've read 'Balkan Ghosts' by Robert D. Kaplan, 'Sarajevo Blues' is now the most current book I've digested and the first by a native of the region. Unlike 'Balkan Ghosts', 'Sarajevo Blues' is a mixture of poetry, prose & short essays as opposed to a historical travelogue which I think helps my understanding of the region beyond perceptions culled from foreign reportage. Foreign reportage, seeming to be 90% of what is available when I check the sadly limited selection for the region in bookstores (but that's a separate tangent and a sore point). All that said, 'Sarajevo Blues' was fascinating and provoking & after the jump I've posted two of the pieces that I've reread numerous times.

CORPSE

We slowed down at the bridge
to watch some dogs tear a
corpse apart by the river
and then we went on

nothing in me has changed

I heard the crunch of snow under tires
like teeth biting into an apple
and felt the wild desire to laugh
at you
because you call this place hell
and you flee from here convinced
that death outside Sarajevo does not exist

FREEDOM

First of all I want to say the following: for over a year already, as long as the war has been going on, I've been writing about my experiences in Sarajevo. I don't even dare think about anything beyond this city--everything that isn't part of my own personal experience, is simply guesswork. Those with no faith in themselves keep on speculating, while the world maintaining this siege has nothing but contempt for them.
     Writing only about things that I actually saw with my very own eyes, I was subjected neither to censorship nor self-censorship. It simply didn't exist. Such freedom, for someone engaged in this kind of work, is entirely adequate. On the other hand, I didn't see the effect of writing, in any form, during the war. But that would be a futile task, given the extraordinary need for people to read.
     At the market I saw a counter with a newspaper on it accompanied by a sign saying: one reading, two cigarettes! With more than some curiousity, I stood off to the side, just to see if anyone would take up the offer. Before I knew it, a young guy with a beer bottle in his pocket came up to the counter and "bought a reading."
     In Sarajevo, all published sources of information are referred to as "the press." But no one, for instance, calls books "the press." And reading the press has become a vice here, like cigarettes or alcohol. People still read, and listen to the news on transistors, following reports about peace.
     It's very difficult to live with the perpetual expectation of better days to come, as you witness each month getting harder than the last. What do we do? We wait for Bosnia to get better. For fifteen months radio, TV and the newspapers promise peace. But the desired direction in which the course of the war is to be carried out isn't even known. For those whose job this is have yet to define either any strategic or political objectives. Days and months pass hopelessly waiting for peace or freedom, even though the meaning of these words have been completely obscured.
     During the war I've experienced moments that had the taste of freedom, without this being a paradox. I was "happy" then "because I was conscious of myself without being afraid" (Benjamin). Freedom during war doesn't mean freedom of the individual, with its metaphysical dimension: it can even be experienced in a camp. In war, its meaning is bound to the collective, making peace and freedom the same.
     The collective is a mob that suffers in silence, and waits. That's how it is in Sarajevo. That's how it was when the trollies ran: when the power was cut, people simply got out without asking for their money back; others got in, neatly destroyed their tickets and patiently waited for hours until the power came back on and the trolley started moving again.
     In mythological time, the man engaged, someone who "thinks their own reality," recognizes "charisma" by his very deeds. Such a person believes that his influence on the course of events is decisive: he names streets and nations, making sure his words reach the ears of those who can turn his ideas into action. On his missionary journey, he can already count, right from the start, on the glory of the person who first said this or that. He wants to get paid for his ideas. These dreams are not grotesque: the fact that they have already been associated with a belief in the existence of people who can bring such ideas to realization means that individuals as such actually don't exist.
     Walter Benjamin writes of a conversation with Brecht in which he articulated a critique of fascism. He was left with the impression of a man who "emanates the power of a grown-up in order to confront the power of fascisim," a power that emerges from the depth of history, a place no shallower than where the forces of fascism originate. that was an illusion. But we live in times when even such an illusion is no longer possible, since the world remains bereft of great individuals. This is certainly the case in politics, no one who can offer the world a vision of salvation, nor are there people who could carry out the realization of such an illusion.
     War is mythological time. The world is polarized and opposites have become that much more apparent. And everything is clean, like in a child's world. A child says: it's cold as heaven, probably since he's heard people say it's hot as hell so many times. In my search for moral consolation, as infantile as I knew that was, I thought up the following distinction: to be in Sarajevo means being in the world of truth. Out of town, where fascism rages, people dwell in a world of lies. Infantile indeed.
     These days, I pass through streets famous for massacres: in a passageway I see a display case with an advertisement for photographs. In one pictures, four skydivers create the figure of a dancer in the air. They smile, overwhelmed by a feeling of freedom, conscious of the fact that they're flying. But there is nothing angelic in this spectacle: their smiles are almost hysterical, maybe because of the packs on their backs that skydivers still have to reconcile themselves with. More proof that every form of freedom is inevitably connected to risk. And even though their faces are clearly different, their individual fate is wiped out by the signature beneath the photo: Produkt von Kodak. What remains, then, is an ad for the photo itself, for the incomparable quality of its color. And this informs an age in which advertising has definitively replaced criticism.
     A constant discomfort derives from this--writing these sentences, or any other for that matter--I am writing an ad for the war.
     With that, every utterance about freedom finishes.

Waked By The Trumpet Sound.

2010-05-21T14:36:00.000-07:00

(AND AM I BORN TO DIE?) - Various Artists

Just wrapped this mix up today. The title and part of the structure comes from the hymn, Idumea (47b). A few different versions are scattered from start to finish and provide a loose overall theme that ties into most of the songs. I think it flows pretty well for the most part though it's a bit front loaded with a kind of claustrophobic energy and then tends to chill out and feel more spacious from the middle to the end. Anyway, below you'll find the lyrics for Idumea and then the tracklisting & download link for the mix itself. Enjoy!

Idumea (47b)

Tune: Ananias Davisson, 1816
Words: Charles Wesley, 1763
Meter: Short Meter (6,6,8,6)

And am I born to die?
To lay this body down!
And must my trembling spirit fly
Into a world unknown?

A land of deepest shade,
Unpierced by human thought;
The dreary regions of the dead,
Where all things are forgot!

Soon as from earth I go,
What will become of me?
Eternal happiness or woe
Must then my portion be!

Waked by the trumpet sound,
I from my grave shall rise;
And see the Judge with glory crowned,
And see the flaming skies!

(AND AM I BORN TO DIE?) - VARIOUS ARTISTS

01 - Idumea, 47b - Ivey Memorial Singing
02 - Nux Vomica - The Veils
03 - Melting Away - Absolute Body Control
04 - Mr. Ray - Suicide
05 - United - Throbbing Gristle
06 - The Naked And The Death - Siglo XX
07 - Stop Breathing - Blessure Grave
08 - The Poison For Me - Mark Lane
09 - Maikäfer Flieg - Grauzone
10 - Black Ships Were Sinking-Idumæa - Current 93 feat. Cosey Fanni Tutti
11 - Opium Song - Michael Gira
12 - Dream Of A Butterfly Inside The Skull Of A Horse - Nurse With Wound
13 - A Prayer - Madeleine Peyroux
14 - Ember - Dirty Three
15 - Rebel Grave - Nikki Sudden & Rowland S. Howard
16 - The Bells Belong To The Ashes - Die Haut feat. Anita Lane
17 - Black Death-Life Is Knife - Crispy Ambulance
18 - And Am I Born To Die? (Idumea, 47b) - Doc Watson & Gaither Carlton

Download it: HERE.

I Didn't Waste No Time, Time Wasted Me.

2010-05-21T12:40:00.000-07:00

For Stephen, Best Regards - Various Artists

Another quick update with a mix. It was made not too long ago (November '09, I believe) for my friend Stephen who used a few playlists made by friends for a film festival in NYC that he curates. I think it flows pretty well considering it hits a few contrasting genres that I tend to jump between in regards to my listening habits.

You can download it here: Disc 01, Disc 02

For Stephen, Best Regards - Various Artists

Disc 01:

01 - Smoke - Fatherland
02 - Dirty Three - Authentic Celestial Music
03 - Patti Smith Group - Ain’t It Strange
04 - Jonathan Kane - Super T-Bone
05 - Pell Mell - Cinecitta
06 - Link Wray - Fire And Brimstone
07 - Leonard Cohen - There Is A War
08 - William Elliott Whitmore - The Chariot
09 - Steve Earle - Rivers Of Babylon
10 - The Chamber Strings - Telegram
11 - The Bats - Western Isles
12 - The Feelies - Raised Eyebrows
13 - The Mekons - Club Mekon
14 - Atom Cristal - Nieuwe Nieuwstraat 27

Disc 02:

01 - Trisomie 21 - La Fete Triste
02 - PTV 3 - Boys Are Girls And Girls Are Boys
03 - Death In June - Forever Loves Decay
04 - Swans - Power And Sacrifice
05 - Einsturzende Neubauten - Sand
06 - Crime + The City Solution - All Must Be Love
07 - Fatal Shore - Morning Dew
08 - Nick Cave And The Bad Seeds - Baby, I Got You Bad
09 - Doris Duke - I Don’t Care Anymore
10 - Alton Ellis - Cry Tough
11 - Lee Fields And The Expressions - Love Comes And Goes
12 - Clydie King - One Part, Two Part
13 - Aretha Franklin - Spirit In The Dark
14 - Aretha Franklin - Spirit In The Dark (Reprise)

The Sun Ain't Gonna Shine Anymore.

2010-05-20T22:34:00.000-07:00

(Sound Of Music) - Various Artists

So I've been pretty lazy about updating despite having a few posts ready to be whipped up and submitted. Mostly, I've been distracted by working on a new mix. This isn't it but I still like it a lot. It was made a couple months ago and originally posted on my tumblr. It got reblogged on FuckYeahGoths which gave me a crap ton of hits, so who knows where this has floated off to. Anyway, feel free to...

Download it: HERE.

(Sound Of Music) - Various Artists

01 - Jesus Christ - Patti Smith
02 - Tod (Death) - Malaria!
03 - Track 7 [Rectitude CASS] - Le Syndicat
04 - Vier Personen [Live]- Laibach
05 - Channeling The Power Of Souls Into A New God - Burzum
06 - The Path Of The Cross - Scorpion Wind
07 - Magic - Moisten Before Use
08 - Shower Scene - Zahgurim
09 - Dum Dum Boys - Iggy Pop
10 - Paris - Psychic TV
11 - Logical Animals - Trisomie 21
12 - Triumph (Of The Good City) - J.J. Burnel
13 - Embryo [Instrumental] - Black Sabbath
14 - The Sun Ain’t Gonna Shine Anymore - The Walker Brothers
15 - Oskopistentraum - Gerechtigkeits Liga
16 - To The Floor! - Cult Of Youth
17 - Embers - ИОИ
18 - Avé Maria - Rowland S. Howard
19 - No More Stalins, No More Hitlers - William S. Burroughs

And If Love Is All You Hope To Find, Then...

2010-05-11T16:33:00.000-07:00

Love Will Ruin Your Mind - Various Artists

Over the next few days I'm going to try and post some mixes I made in the recent & not so recent past. This one in particular I made as a Valentine's Day mix in '06 and while it's a bit cynical, it's meant to be tongue in cheek as well. A couple of the tracks don't speak to love or relationships directly, but in those cases the track title or chorus makes the leap to the theme. I had actually lost this mix along with a large percent of my music as a result of an external hard drive crash but thankfully a friend still had a copy and was able to get it to me. Now if only I could get back the Halloween mix, 'Married To The Macabre', that I made a few years ago. Oh well. Anyway, here's the tracklisting:

Love Will Ruin Your Mind - Various Artists

01 - Yayahoni - True Love Is Not Nice (Jonathan Richman)
02 - Y Pants - Love's A Disease
03 - Delta 5 - Now That You've Gone
04 - Magic De Spell - Brainwash
05 - Kas Product - Never Come Back
06 - Rowland S. Howard - She Cried (Jay & the Americans)
07 - Lungfish - Love Will Ruin Your Mind
08 - Material - On Sadism
09 - ESG - You Make No Sense
10 - Desperate Bicycles - Grief Is Very Private
11 - Beautiful Skin - Lacerations
12 - Faust - It's A Bit Of Pain
13 - The Feelies - Original Love
14 - The Mekons - Last Dance
15 - The Fall - Vixen
16 - Liliput - His Head All Red
17 - Au Pairs - Dear John
18 - Bush Tetras - Too Many Creeps
19 - 45 Grave - Bad Love
20 - 13th Chime - Cuts of Love
21 - Virgin Prunes - Baby Turns Blue
22 - Albert Kuvezin & Yat-Kha - Love Will Tear Us Apart (Joy Division)

Download: here.

We Are So Unnatural.

2010-05-11T00:48:00.000-07:00

Been hit by a cold pretty hard today so what better way to celebrate than leaving work early in the rain, watching BBC4's 'Synth Britannia' and then passing out for six hours. Pretty decent doc though the British wave isn't necessarily my go to subgenre for late 70's/early 80's synth. However, I gotta say that there's a number of great interviews, my favorites being: Daniel Miller (The Normal/Mute Records), Gary Numan (Tubeway Army), Richard H. Kirk (Cabaret Voltaire), and Chris & Cosey (Throbbing Gristle). Wolfgang Flür and everyone's recollections on Kraftwerk's influence was a nice unifier. I probably could have done without as much focus on Human League, Depeche Mode, OMD, Yazoo and Heaven 17 but that's really neither here nor there and more a matter of personal preference. The Joy Division/New Order excerpt seemed a little too quick in passing, though worth while for Bernard giving an account on building his own Transcendent 2000 and how JD wrote & recorded 'Atmosphere' in two freaking days. Also, how the BBC could use a clip from Dr. Who and gloss over Delia Derbyshire is beyond me, though Walter/Wendy Carlos does get an appropriate nod for pioneering groundwork. Tangent and minor gripes aside I enjoyed it overall and wish the U.S. could get similar programming.

You can download BBC4's 'Synth Brittania' (1hr 27min AVI) here:

Part 01, Part 02, Part 03, Part 04

or watch it on youtube.

P.S. - Related albums well worth listening to:

Gary Numan/Tubeway Army - Replicas

Daniel Miller:
The Normal - T.V.O.D./Warm Leatherette
Silicon Teens - Music For Parties

Cabaret Voltaire - Red Mecca

Throbbing Gristle - 20 Jazz Funk Greats

P.P.S. - With the amount of J.G. Ballard references, I think 'Crash' is getting a bump in my reading queue.

It's Not In Misery But In Oblivion.

2010-05-09T01:03:00.000-07:00

Been reading 'The Poems Of Dylan Thomas'. I'm finding it incredibly beautiful in a somber and inspiring manner. Thematically it's right up my alley and I am absolutely loving his tone and structure. To tie this into my recent VU blog postings, above is a fantastic performance of Thomas' well known poem 'Do Not Go Gentle Into That Good Night' set to music by fellow Welshman John Cale with a stunning and lush orchestration. In contrast below is Thomas' own reading (both just beating Rodney Dangerfield's recitation by a hair).

A current D.T. favorite:

IT'S NOT IN MISERY BUT IN OBLIVION

It's not in misery but in oblivion,
Not vertically in a mood of joy
Screaming the spring
Over the ancient winter,
He'll lie down, and our breath
Will chill the roundness of his cheeks,
And make his wide mouth home.
For we must whisper down the funnel
The love we had and glory in his blood
Coursing along the channels
Until the spout dried up
That flowed out of the soil
All seasons with the same meticulous power,
But the veins must fail.
He's not awake to the grave
Though we cry down the funnel,
Splitting a thought into such hideous moments
As drown, over and over, this fever.
He's dead, home, has no lover,
But our speaking does not thrive
In the bosom, or the empty channels.
Our evil, when we breathe it,
Of dissolution and the empty fall,
Won't harm the tent around him,
Uneaten and not to be pierced
By us in sin or us in gaiety.
And who shall tell the amorist
Oblivion is so loverless.

A significant amount of Dylan Thomas' poems can be read: here.

'Do Not Go Gentle Into That Good Night' performed by John Cale w/ orchestration featuring a few more Dylan Thomas renditions can be found on: Words For The Dying (pw: lagrimapsicodelica).

'Do Not Go Gentle Into That Good Night' performed by John Cale solo on piano featuring still more Dylan Thomas renditions can be found on: Fragments Of A Rainy Season (pw: lagrimapsicodelica).

Heaven Knows, It's Got To Be This Time.

2010-05-07T04:17:00.000-07:00

Guess I'm outing my birthday with this one, but what else is one to do with a blog at the crack of dawn (listen to 'New Dawn Fades'?). Oh yeah, post New Order videos. Right, right. Anyway, I listened to 'Ceremony' repeatedly at work tonight and since I'm still awake I've continued on to watching live vids of it on youtube. Wound up coming across this performance of 'Ceremony' and noticed that this particular show was going on two hours driving distance from my being born. If only Mom had gotten me out into the world a little earlier I might actually have caught it. Well, perhaps I'll send this along to her on Sunday thanking her for at least timing some good cosmic vibes for my entrance into this world.

(Also, making a mental note to myself to see the show 28 years late. Looks like it's on the New Order 316 dvd but incorrectly listed as being 11.18.81 instead of 11.19.81)

... Strangled.

2010-05-04T16:35:00.000-07:00

Today a friend of mine passed along this mix he made, entitled 'Look At Her, Don't Be Shy!! (A Compiled Sound Document #1)'. Haven't had the opportunity to listen to all of it as of yet but I'm looking forward to doing so as I get some laundry done. The man has quality taste and has led me to some great music and art I may otherwise not have encountered. Some of it I'm familiar with, some of it I'm not so familiar with (which will surely lead to more googling & downloading) but for certain it should prove to be entertaining, interesting & enjoyable. I'm hoping that since it's been numbered that it will be the first installment of more to come. You can download it directly from sendspace: here. The track listing is after the break.

Look At Her, Don't Be Shy!! (A Compiled Sound Document #1)

- Charles Manson discussing Boyd Rice & Michael Moyniham
- Xhol Caravan – Planet Earth
- Throw Me Your Finger – All The Pain
- Henri Chopin - Présence Du Soleil
- L’an III – Accident Mortel
- Third Ear Band – Necromancy
- ZNR – Annie La Telie
- Roland Miller interview by Jim Hawkins, BBC, January 1973
- The Dead C – Hope
- Cancel – Twisted Nerve
- Fågeldöd - Ta Det Här Trädet T.ex.
- Annabelle’s Garden – The Other Front
- Sun City Girls – Tobacco Non-Plus Ultra
- Monte Cazazza reading

(mix edited down to a single mp3 & recommended for fans of neofolk, early industrial, post-punk & experimental music)

I'm Searching For My Mainline.

2010-05-03T01:29:00.000-07:00

Still on a Velvet Underground kick. I was really digging the live version of 'Venus In Furs' from '66 in the VU video I previously posted which compelled me to hunt down live bootlegs from the '66-'68 period when John Cale was still in the band. At that point in time there seems to be far more willingness on Lou Reed's part to engage in experimental territory with Cale by way of noise/drone/jams. Happily for me, I came across an insane treasure trove of a blog full of VU bootlegs in FLAC format that allows me to bliss out to crazy VU shit like a jam that melds into 'Sister Ray' over the course of 40 minutes. Check out The Nuns Are On The Sea Wall if you want to be overwhelmed.

More rambling & direct links to a few VU boots in particular after the break.

Since these are in FLAC format and rather large files, I'd recommend installing j downloader which will allow you to queue up multiple rapidshare urls & download them for you. Also, there may or may not be megaupload links posted in the comments section at some point with mp3 rips of the FLAC sources of my favs for convenience. Onto the linkage of what I've been digging thus far:

Sweet Sister Ray (40 minute version of 'Sister Ray' from '68 w/ a few more extended versions from '69.)

Melody Laughter (30 minute 'Melody Laughter' jam from '66. Edited down to 10 minutes on the Peel Slowly & See box set.)

Problems In Urban Living (Great show from '68. Loud, scuzzy & shambolic. 'I Can't Stand It' & 'What Goes On' are stand outs.)

At The Warhol Museum (Bit of a misnomer since the boot is comprised of rehearsals at Warhol's Factory & at the Cinematheque in '66. Dig the noodling of The Beatles 'Day Tripper' right before jamming on [& interjecting VU riffs into] John Lee Hooker's 'Boom Boom'.)

Better Times Are When You're In Control.

2010-05-01T17:46:00.000-07:00

Picked up The Bats 'Don't You Rise' 7" E.P. today, which I'm quite happy to have come across. It has a couple tracks recorded during the same sessions as 'Live At The National Grid' which I really enjoy so it's a quality score for me. Unfortunately, I still haven't picked up 'Guilty Office' as I've been holding out for vinyl but after double checking, it still doesn't exist. Probably going to have to suck it up and see if Amoeba has the CD. Sigh. If only I could just get my hands on some more Bats vinyl without having to resort to ebay/mail order (lord knows I hate waiting for shit to arrive to a fault).

Anyway, the track from the above vid is 'Made Up In Blue' from their 1986 E.P. of the same name. If you like what you hear, you may or may not find a download for 'Compiletely Bats' at Magicistragic (a blog well worth combing through despite a lack of recent updates).

I Could Sleep For A Thousand Years.

2010-05-01T03:20:00.000-07:00

I was pretty happy to hear my favorite Velvet Underground song, 'Venus In Furs' the other day in a coffee shop (which has subsequently set me off on a current VU binge). Not a ton for me to really ramble on about regarding this vid but I'm enjoying watching it over and over. It's Jonas Mekas footage that has been manipulated by the original youtube poster with an end result that I'm enjoying a lot. Maybe it's the overtly sinister feel that I can't seem to get enough of. Yeah. That's it.

More info on the youtube page.

When One Day Toward The Ether We Rise.

2010-04-28T00:40:00.000-07:00

So my friend asked me to post a flyer for his show on my blog. While I'm not entirely sure that enough people read this as of yet (or ever will), I'm certainly happy to oblige. He's a good dude and I enjoy the music that he makes. I wish I could hit up the show myself, but the middle of the United States makes that somewhat difficult. Perhaps in late July (hint, hint). Also, you can check out his music and keep an eye out on future shows here: CAVES ON MYSPACE

CAVES (RECORD RELEASE)
YVETTE
SILVER SEAS
@
CAMEO
93 N6TH ST.
BROOKLYN
04.30.10
10P

They're Gonna Throw Back Their Heads And Crow.

2010-04-27T15:17:00.000-07:00

The Death Of Bunny Munro by Nick Cave

I recently finished Nick Cave's second novel, 'The Death Of Bunny Munro' and am still milling over how I feel about it. However, I think the only reason I'm still milling over how I feel about it is to try and find some way to rationalize liking it more than I did, which I just can't seem to do. It's not that the book is bad per say (it's certainly not horrible), it's just not as good as the promise it shows. As a fan of Cave, how could I not want to read a pervy romp that seems to suggest the grimy literary equivalent of the aural aging sleaze of Grinderman? Pretty simple actually, fill it with pop culture references and slack off on any sense of prose or form to carry the narrative. Cave has always been admirable to me for his blatant love of language and form in his lyrics & astounding first novel, 'And The Ass Saw The Angel' (of which I won't delve into as it's infinitely superior and was never a benchmark for expectations as it's a Cave high water mark to stand unsurpassed). As far as plot goes, it's an enjoyable read though it starts off with a slow plodding rumble. After eye rolling for the first 100 pages or so it gains traction and speed and by the half way mark it admittedly pulled me in more for the ride than anything else. The arc was satisfactory and didn't really leave me desiring more or less from the story itself, just a desire for more from the actual prose put to paper. As I said prior, Nick Cave has always seemed to take diligent care with his verse & sentence structure and has exuded an archeologists love for the etymology of words (the more arcane, the better). This is wholly lacking in 'Bunny Munro' and is replaced with modern and pop culture references that just remove me from the narrative rather than bind me to it. Personally, Kylie Minogue & Avril Lavigne's respective vaginas are not something I really need a narrative hung on (no pun intended? could that even be taken as a pun?). Nor do references to Mcdonald's Happy Meals & Darth Vader Toys really feel in place despite the existence of a prominent 9 year old child. There's a contrast that's just apparent since Cave is playing both sides of the literary fence. There's more of a sense of cheese to the whole shebang far more than legitimate sleaze and maybe that's ultimately what I want. Something that reads more authentic rather than comes off as barely reaching for something. I suppose I want to feel like Cave was actually striving to grasp a tangible end result and the reality is in reading 'The Death Of Bunny Munro' I feel like he half-assed it and this book wouldn't have otherwise been published without his notoriety. It's an entertaining and pulpy read but altogether too light given that there is a sense of intent for there to be looming weight. Go read 'And The Ass Saw The Angel' if you can find it.

P.S. - Just as an aside for the sake of bitching, the U.S. cover sucks hard (the drawn cover as seen above on the right) where as the U.K. press at least has a far better & desirable cover. Seriously, if you're gonna ask me to shell out hard earned cash... at least give me a dust jacket I feel is worth the money and didn't come about as the result of some student design project.

Don't Ever Fade Away.

2010-04-26T00:51:00.000-07:00

While a significant wealth of Joy Division material has been rehashed over and over via compilations, re-releases, remasters, box sets and what not... this blog is decidedly worth checking out: Recycle: Joy Division & New Order - The Factory Years. If you're slightly obsessive compulsive like I am and have a particular soft spot for a band, you gain a certain satisfaction from having their non-album odds & ends (singles, EPs) broken down by release and recognized as such in whichever digital library you store your music in. I've done this to an extent with the Joy Division material I've already culled but this blog goes steps I can't even count further with the quality of sources, sound restoration & high res album scans. New Order also received the same intense treatment.

We'll Drift Through It All, It's The Modern Age.

2010-04-26T00:29:00.000-07:00

This blog has been born out of an impulse to vomit up whatever rambling inanity seems to be floating around in my head, as well as a legitimate desire to share relevant & irrelevant nonsense with which to waste your time being that it has surely already wasted mine.